Waterfront

Waterfront may refer to:

In music

In film and television

Places

Mirrorwriting

Mirrorwriting is the debut studio album by British singer-songwriter Jamie Woon. It was released in Europe on 18 April 2011 through Polydor Records. The album started to receive hype after Woon ended fourth on BBC's Sound of 2011 poll. It was preceded by the lead single, "Night Air" on 22 October 2010.

Critical reception

Paul Clarke of BBC Music gave the album a positive review by saying: "Things would probably be quite different for Woon had he’d got his act together sooner. In 2007, his fragile cover of an old folk spiritual placed him pretty much alone at the crossroads between rural blues and urban electronica, a 20-something Robert Johnson from London who’d sold his soul to dubstep instead of the Devil. Today, though, he shares this space with The xx and James Blake; and overshadowed by The xx’s Mercury Prize victory and Blake’s own debut album of earlier in 2011, Woon’s music could now be in danger of sounding wearily familiar rather than darkly mysterious".

Track listing

Waterfront (1950 film)

Waterfront is a 1950 British drama film directed by Michael Anderson and starring Robert Newton, Kathleen Harrison and Avis Scott. A sailor abandons his family, in the Liverpool slums. He returns years later causing family frictions. Adapted from the 1934 novel by Liverpool-born writer John Brophy.

Main cast

References

External links

Memphis (musical)

Memphis is a musical by David Bryan (music and lyrics) and Joe DiPietro (lyrics and book). It is loosely based on Memphis disc jockey Dewey Phillips, one of the first white DJs to play black music in the 1950s. It played on Broadway from October 19, 2009 to August 5, 2012. This production won four 2010 Tony Awards, including Best Musical. The show was previously staged at the North Shore Music Theatre in Beverly, Massachusetts and TheatreWorks in Mountain View, California during the 2003-04 season, as well as the 5th Avenue Theatre in Seattle during the 2008-2009 season.

Synopsis

Act 1

There's a party at Delray's, an underground black Rock and Roll bar in 1950s Memphis ("Underground"). Huey Calhoun, a white man, arrives on the scene. The regulars begin to leave, but Huey convinces them to stay, claiming he is there for the music ("The Music of My Soul"). Later, Huey is about to be fired from his job as a stock boy at a local department store, but he makes a deal with the owner, if he can sell 5 records by playing them over the speakers, he can have a sales job. Huey plays a rock & roll hit ("Scratch My Itch"). He sells 29 records in five minutes, but the store owner fires him anyway, incensed at the type of music being played.

Memphis, Egypt

Memphis (Arabic: منف‎ Manf  pronounced [mænf]; Greek: Μέμφις) was the ancient capital of Aneb-Hetch, the first nome of Lower Egypt. Its ruins are located near the town of Mit Rahina, 20 km (12 mi) south of Giza.

According to legend related by Manetho, the city was founded by the pharaoh Menes. Capital of Egypt during the Old Kingdom, it remained an important city throughout ancient Mediterranean history. It occupied a strategic position at the mouth of the Nile delta, and was home to feverish activity. Its principal port, Peru-nefer, harboured a high density of workshops, factories, and warehouses that distributed food and merchandise throughout the ancient kingdom. During its golden age, Memphis thrived as a regional centre for commerce, trade, and religion.

Memphis was believed to be under the protection of the god Ptah, the patron of craftsmen. Its great temple, Hut-ka-Ptah (meaning "Enclosure of the ka of Ptah"), was one of the most prominent structures in the city. The name of this temple, rendered in Greek as Aί γυ πτoς (Ai-gy-ptos) by the historian Manetho, is believed to be the etymological origin of the modern English name Egypt.

Memphis (band)

Memphis is a musical duo consisting of long-time friends Torquil Campbell and Chris Dumont.

Dumont, originally from North Carolina, first met Campbell in New York City in the early 1990s. With Campbell's childhood friends Chris Seligman, James Shaw, and Adam Marvy, the pair played together in a band called Luxe. Later, Seligman and Campbell would form Canada's indie pop group Stars, while Shaw would go on to form Metric with Emily Haines, with Dumont continuing to work on the carousel in New York's Central Park.

Following the initial success of Stars, Campbell invited Dumont to visit in Vancouver, British Columbia, and Memphis was born. The duo's first effort, an EP entitled A Good Day Sailing was released on Le Grand Magistery in 2002. Over the course of the summers of 2003 and 2004, Dumont and Campbell recorded the full-length follow-up, I Dreamed We Fell Apart, released in 2004 on Paper Bag Records.

A follow-up, A Little Place in the Wilderness, produced by Dumont, was released on August 15, 2006, through Good Fences, EMI.